The Art of the Typewriter Sculpture with @jeremymayer
To see more photos and videos of Jeremy’s typewriter sculptures, follow @jeremymayer on Instagram.
Inside his studio in Oakland, California, artist Jeremy Mayer (@jeremymayer) transforms typewriters into majestic mythological beings. His most recent completed commission is a sculpture of the Greek titaness Theia that is over 7 feet tall (2.21 meters) and made entirely of components from 40 different typewriters. “I don’t solder, glue, weld or wire the parts together,” says Jeremy. “I use only screws, nuts, pins and springs to assemble the sculpture in the same manner that the typewriter was held together.”
The painstakingly detailed process to create a full-scale human figure requires more than a year of Jeremy’s time. “I spend countless hours trying to figure out how to put this stuff together,” he says. “Doing an accurate likeness of a person hurts my brain. Hurts so good, though. There’s a lot of trial and error. I’m done when it creeps me out, or if I walk into the studio and the sculpture startles me because it looks like someone is standing there.”
Michelle Frankfurter has recently completed her multi-year project titled Destino documenting Central American migrants traveling through Mexico to cross into the United States. Riding on top of freight trains through the southern Mexican states, the trip becomes even more perilous as the migrants approach the notoriously violent border. Frankfurter’s sensitive images are remarkable in their beauty and ability to capture both the danger of this journey and a sense of optimistic adventure. Frankfurter describes the project like this: “In Destino I seek to capture the experience of people who struggle to control their own destiny when confronted by extreme circumstances. Destino is both a social commentary on one of the biggest global issues of our times and an epic adventure tale. It conveys the experience of a generation of exiles, driven by poverty and the dysfunction of failed states, traveling across a landscape that has become increasingly dangerous, heading towards a precarious future as a last resort.”
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